I’ll have brand-spankin-new paintings on view for the first part of May at Hang Art in San Francisco alongside Fain Hancock’s lovely work. I’ll be at the opening tonight, so anyone in the area for First Thursday gallery openings, stop on in and say hello!
I’ll share a few of my favorite paintings here for those of you who can’t go to the gallery to see them.
“Woodsmoke and Sunshine”, Encaustic mixed media, 30 x 60 in.
“Tule Fog #3: I-5”, Encaustic mixed media, 24 x 48 in.
“Tule Fog: I-5”, Encaustic mixed media, 17 x 34 in.
Many of you have asked about the possibility of buying prints of my work. I’ve looked into several options for this, and decided to sign on with Imagekind. Imagekind is a website that makes fine art prints available to anyone, and the buyer can choose the size, and the type of paper, canvas, or finish. You can order the print framed or not.
Some new work coming out of my studio lately. I’ve started a new series- a variation on the “white noise” series. I’m calling this one “Winter”. Most days, I take a walk with my dog in the fields near my house. We live about a five minute walk to the bluffs that line the coast here in Half Moon Bay, and we are lucky enough to have fields along the bluffs that are open to the public. Every season has it’s own way of defining the landscape, and here in coastal California, we don’t get snow. We don’t get ice. We get wind. In late fall, the wind becomes fierce, and pummels the tall, dead, silvery grasses, flattening them to the ground. The only things left standing are the sturdy remains of flowering weeds and herbs, sometimes with seed pods left intact. It makes a striking landscape- the black, barren remnants of last year’s plants stand like black calligraphic marks against the pale, flat grasses.
So, I’ve been inspired to try to communicate some of this in these new paintings. These two are from drawings of seed pods that I found in my yard, and they look a bit like seaweed to me. I’ll post more of this work in the next few days, so be sure to check back.