Tag Archives: art

“New Works ’09” show at Enso this month

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I’m happy to share with you all that I’ll be hanging a show of new work at Enso gallery this week, which will run through the month of September. Enso is actually a yoga studio as well, run by an amazingly generous and creative local couple, and they run a very nice gallery space, right by the ocean here in Half Moon Bay. So if you are in the area, come check it out. 

Where:  Enso, 131 Kelly Ave. Half Moon Bay, CA

When: Please join us for an opening reception September 12, 4-6 p.m. There will be light food and drinks. The show will run the whole of September. Check the schedule at http://www.ensohmb.com for gallery availability. Generally, the gallery is open to the public before and after yoga classes. 

If you are coming from out of town, and want to make sure that you see the show, email me directly, and I’ll try to arrange a time to open the gallery for you. 

Hope you can make it!

Inspiration: walking and seeing

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“Sell your cleverness and buy bewilderment.”   -Rumi

One of the trickiest things, I’ve found, about making images is the simultaneous need for experience and innocence. On one hand, we want to bring our years of experience to bear in the studio. On the other, we want to be able to see as if for the first time; an adventurous and inventive eye must not be hobbled by what it thinks it knows and sees.

This summer, I’ve been walking the same route through the fields, almost daily, and like to practice seeing things with a fresh perspective. A few times, I’ve taken my camera, and it has been so fun to look through that magic window and see how limiting the view can sometimes expand how I see. 

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Artistic perception is this great elastic thing that must be exercised to stay limber and responsive. Ironically, doing something repetitive is sometimes just the thing to practice keeping things new.

New Work #13: Encaustic

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Things have been productive around here, if a bit intermittent. You’ve seen peeks of these works in process these last few months. Here are the finished pieces. The above piece is encaustic, measures 30″ x 40″, and is titled “Winter #14”.

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“Winter #10″, 28″ x 28”, encaustic mixed media.

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“Winter # 6″, encaustic mixed media, 28″ x 25”. 

I’ll update with the latest acrylic mixed media work tomorrow.

One Year

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This post is to celebrate my daughter’s work. This past weekend, we drove down to Valencia, near L.A., and dropped her off at Cal Arts for a month long intensive art program (one of the more terrifying and exciting things I’ve done as the mother of a 15 year old). These are self-portraits she drew- exactly one year apart. The one on the left was finished last week, the one on the right last summer. I just think it’s such a testament to our capacity for growth. That truly, we are hardwired for growth. And hard work. It is rare that Alexandra is not either drawing or carrying one of her sketchbooks around. She lives for graphite. She would probably eat it if she could. If there were more hours in the day, she’d spend them drawing. I bought her three sketchbooks to last her the month she’ll be gone. She fills them so fast, I can hardly keep up. 

She inspires me.

Journaling and Dialoguing

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I just have to tell you all how much I’ve been enjoying your comments lately.

I began this blog with two goals, or intentions. The first was to simply get down my thoughts and ideas as a record for myself- as a way of journaling. Keeping this blog has given me a place and reason to think deeply about what I’m making, why I’m making it, and why other other people might want to look at it. It’s been a reason for me to write it all down, and share my progress. Even though it is a digital journal, floating in cyberspace, it lends a feeling of solidity to my ideas and history for me to look back on. 

My second goal was to find some community, and begin a dialogue with other artists and people interested in art. When you comment, this digital journal becomes a conversation. My monologue becomes a dialogue. I go look at your blogs and websites, and gain inspiration and insight.

So- thank you for sharing your own thoughts about what you’re making, why you are making it, and what our art is for. Your comments make my day.

Inspiration: Creative Process with Elizabeth Gilbert

I was going to share pictures from the opening last night in Walnut Creek, but that will have to wait. (Just till tomorrow, I promise- so, so much fantastic work!) First, I have to share this video, from TED, of writer Elizabeth Gilbert (Eat, Pray, Love) talking about creativity, and the possibility of re-inventing our perception of it. It’s funny, and bone-true, just like her book. And it’s worth watching if only for the description of the poem and the poet… you’ll see. It took my breath away.  *Thanks to Beth for sending me this!!

Experiments In Wax and White

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I’ve been having some fun in my studio this week experimenting with wax inlay (intarsia). Here are some of the results-in-progress.

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First, I tried putting oil paint into the texture and doing a wipe, but it didn’t work as well as I had hoped, so I tried filling with wax and scraping back, and I’m much happier with it. I like using intarsia in my underlayers, as I like to imagine that they are more stable, and an oil wipe in the last stages of a painting. But, Oh! The scraping- my fingers don’t like it much. I need to do a serious perusal of my local hardware store for a razor holder that works well for this. I took good photos of the intarsia process this time, so I’ll do a technique tutorial on it soon.

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Above: a detail of a larger acrylic painting. I’ve been trying some new things with acrylics, too…. laminating milky, transluscent papers into this painting, tracing some of my field sketches, and using a graphite paint that I found recently. It is such a good exercise to try to explore the same aesthetic and formal concerns as the white encaustics, but it a radically different medium. I think it keeps things fresh all around, with each medium informing the other. Well, we’ll see. I don’t think the above painting is really successful in the way I want it to be, yet, but I’m going to keep on playing with it. I’d love for it to segue into a new (and parallel) body of work.

And I’ll leave you with one last image, something I picked up on a walk the other day. I don’t know what my neighbors thought, with me traipsing through the neighborhood with my dog and a dead bush, but I love it- it’s color and form- and can’t wait to take an hour or two and draw it from different angles. 

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P.S. I’m going to the opening for “Working in Wax” tonight in Walnut Creek (see announcement below) and am so excited to see so much encaustic work!

New Work #11: Encaustic

Here’s what I’ve been working on… more from the “Winter” series.

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This last piece is larger- 25 x 28 inches. The top two are 12 x 12″.

These paintings are continuing from a series I started a few months ago. I took a walk near my home, and gathered some of the mid-winter weeds and flower/seed stalks that had dried but were still standing tall against the wind. I’ve been drawing them, and incorporating them into these paintings. I’ve been enjoying making these so much, my ideas for them keep getting bigger… as in wanting to paint bigger and bigger. I use a lot of clear wax in these, about 15 layers or so, and the image elements float between layers, creating a depth and space that gets more interesting as the paintings get bigger. There is more room to visually float and explore in the picture space.