Tag Archives: art studio

D.I.Y. Residency

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As 2015 came to a close, I decided that I needed to shake up my studio practice. Things had started feeling stagnant. I had a few ideas for how to do this… trying a new medium, starting a new project, maybe finding a bigger studio. I decided the easiest and most immediate thing would be to diversify my practice by working in a new medium, on paper. I spent a few weeks sorting things in my garage, and clearing a space to serve as my “paper studio”. I found a set of flat files to store paper and finished works, and started gathering materials.

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I started experimenting in a sketchbook, tentatively playing with new materials– guache, acrylic, watercolor, inks. I was still having trouble getting started though. This was not new territory, this resistance to starting a new body of work. Breaking into new work is difficult for me, and I usually need a little self-induced push. I decided that what I needed was a residency. I really felt that I needed the kind of dedicated time that a residency affords, and I had applied to two local residencies in 2015 but they are highly competitive and I didn’t get a spot in either one. So I decided to set one up for myself. At home. ‘Cause that’s how I roll.

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I marked two weeks in January as my time, and thought about my daily life and the things that distract me or take up time. I made sure that I did not schedule anything else during those two weeks. I planned some easy meals and did the shopping ahead of time and put some food in the freezer. I did errands or decided they could wait. I cleaned the house ahead of time, and made a deal with myself that I would just let it be dirty during the week. Usually, I’m one of those people that has to have everything in order before she works so this was a big one for me! This is something I’m continuing to work on… my most damaging procrastination habits tend to be getting things clean or done before I allow myself to work. So it was good practice.

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Then, for two weeks, I worked. I worked all day, and tried to exercise discipline by not indulging in distractions. This is the hardest thing about trying to do a self-initiated “residency”. Usually, with a residency, you have a work space far from the usual distractions, and that is part of the appeal and what makes it so effective. So re-creating those conditions at home was challenging, but mostly achievable. I can’t say it was perfect, but I got so much work done! I let myself just focus on process, and told myself that if I came to the end of two weeks without a single finished piece, that was okay. There were times when I just wanted to stop and there were times when I was so caught up in the work that I lost track of time. I had a few moments when I wasn’t so sure about this plan!

But by the second week, things started coming together. I didn’t have a finished piece by the end of my two weeks, but I had a direction. And momentum. And enthusiasm. I was excited about the new work.

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The painting/drawing above was the first piece I finished. I now have about five of these finished, and others started. Jump-starting this new work with a D.I.Y. residency was really effective, and I already have plans to do it again soon. It’s amazing to me what can be accomplished with some dedicated time and space.

What about you? What is your favorite way to start a new project? How do you overcome the inertia of beginning?

Thanks for reading,
~Lisa

 

Studio Shots

It’s been such a gray and rainy spring! But that hasn’t stopped the work in the studio… in fact, it’s been a wonderful year for the plants this year. Above, some mustard gone to seed.

The hummingbirds have been busy disguising their nests with this moss that grows on the old plum trees behind my studio.

This lovely thing fell to the ground during the last wind storm. I’m looking forward to drawing it.

This pile of embroidery thread is waiting to be woven into some paintings… paintings that are only in my head at the moment. I’m looking forward to the hours of summer, and seeing if some of my new ideas work.

Inspired

A shot of my pin board in my studio. It’s a combination inspiration board/storage area for masks and stencils. I’ve been finding a lot of inspiration outside lately. The coastal wildflowers are in bloom here on the central west coast, and I savor them in all of their spare beauty. I’ve been drawing the wild horseradish that grows everywhere right now. Also, finding inspiration online, and I thought I’d share a few links that have me thinking and looking closely.

http://butdoesitfloat.com

http://lisasolomon-musings.blogspot.com

http://dearada.typepad.com

http://www.planetaryfolklore.com

http://www.theselby.com

Catching Up

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We don’t get a whole lot of fall color here on the mid-California coast. But I am savoring fall, anyway. This is my favorite time of year. 

After a long bout of illness this summer, I “came to” sometime in early October, and realized that my blog (among many other things) had been sorely neglected. So in the spirit of catching up a bit, here are some things I’ve been up to. I somehow managed to pull together my show here in town at Enso; we had a wonderful opening and I received loads of positive feedback. I’m now busy preparing for another show coming up in February. So, I’ve been working in my studio, if somewhat sporadically. Earlier this month, I attended the IEA retreat in Carmel, and got some wind in my sails. The retreat was wonderful, and I met many other artists from all over the country. The speakers were great- hearing Tony Scherman speak was definitely a high point for me- and members demonstrated techniques, which was also interesting. I came away inspired and full. On my drive home, I pulled over several times, because I had to write down everything I was thinking before it got away. Just download into my notebook. Somehow, talking with and listening to other painters helped me crystalize some of my own goals, which have been fuzzy for a while. 

And now, after the buzz has worn off a bit, I realize that it is fine and well to think about painting, but a time comes when it is painfully obvious that I’m doing more thinking than painting. And that it is time to shoehorn painting back into my life, an hour at a time, and re-set some priorities. It’s never ending- the process of picking oneself back up, brushing off, and walking back into the studio.

Experiments In Wax and White

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I’ve been having some fun in my studio this week experimenting with wax inlay (intarsia). Here are some of the results-in-progress.

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First, I tried putting oil paint into the texture and doing a wipe, but it didn’t work as well as I had hoped, so I tried filling with wax and scraping back, and I’m much happier with it. I like using intarsia in my underlayers, as I like to imagine that they are more stable, and an oil wipe in the last stages of a painting. But, Oh! The scraping- my fingers don’t like it much. I need to do a serious perusal of my local hardware store for a razor holder that works well for this. I took good photos of the intarsia process this time, so I’ll do a technique tutorial on it soon.

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Above: a detail of a larger acrylic painting. I’ve been trying some new things with acrylics, too…. laminating milky, transluscent papers into this painting, tracing some of my field sketches, and using a graphite paint that I found recently. It is such a good exercise to try to explore the same aesthetic and formal concerns as the white encaustics, but it a radically different medium. I think it keeps things fresh all around, with each medium informing the other. Well, we’ll see. I don’t think the above painting is really successful in the way I want it to be, yet, but I’m going to keep on playing with it. I’d love for it to segue into a new (and parallel) body of work.

And I’ll leave you with one last image, something I picked up on a walk the other day. I don’t know what my neighbors thought, with me traipsing through the neighborhood with my dog and a dead bush, but I love it- it’s color and form- and can’t wait to take an hour or two and draw it from different angles. 

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P.S. I’m going to the opening for “Working in Wax” tonight in Walnut Creek (see announcement below) and am so excited to see so much encaustic work!

Studio Update

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Some new studio shots from this week. I finally got around to cleaning up. I like a good, productive mess, but with my paintings slowly growing in size, and my studio not growing to accommodate, the mess and the art were starting to battle it out in there. So I hung some things up, threw some piles out, vacuumed many a cobweb, and kindly showed some spiders the door. 

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And after a short break from my acrylics, I’ve started experimenting again with what might be an extention of the white encaustic series I’ve been working on. After a year of working on two distinctly separate bodies of work (the nests and the white paintings), I decided that since the nests have been slowing down for a while now, I’d try bringing the acrylic work more in line with the encaustic work, and have been exploring some of the same ideas. But, of course, these two mediums are so, so different- my aim is for the paintings to feel related, but to allow each medium to express it’s own unique influence.  I’ll have some photos of those works in progress soon!