Still working on this large piece… nearing the end, I think.
It’s been such a gray and rainy spring! But that hasn’t stopped the work in the studio… in fact, it’s been a wonderful year for the plants this year. Above, some mustard gone to seed.
The hummingbirds have been busy disguising their nests with this moss that grows on the old plum trees behind my studio.
This lovely thing fell to the ground during the last wind storm. I’m looking forward to drawing it.
This pile of embroidery thread is waiting to be woven into some paintings… paintings that are only in my head at the moment. I’m looking forward to the hours of summer, and seeing if some of my new ideas work.
A shot of my pin board in my studio. It’s a combination inspiration board/storage area for masks and stencils. I’ve been finding a lot of inspiration outside lately. The coastal wildflowers are in bloom here on the central west coast, and I savor them in all of their spare beauty. I’ve been drawing the wild horseradish that grows everywhere right now. Also, finding inspiration online, and I thought I’d share a few links that have me thinking and looking closely.
I thought I’d share some current works in progress from my studio. This piece above will be put together in the end as one piece. I’ve been inspired by other artists who work large on multiple panels. Here, I had these small 10×10 inch panels lying around, and I thought I’d use them as a little test run… and that’s my medium setting up in the muffin tins. Working large uses so. much. medium!
This is a pretty crappy photo- taken late in the day with my lights on. But you get the idea. I’m really loving the metallic paints from R&F. So lovely when they are scraped down- this design is done in the german silver color, and it has a lot of variation, like a patina.
On to the next layers!
“I’ve heard it said that every day you need half an hour of quiet time for yourself, or your Self, unless you’re incredibly busy and stressed, in which case you need an hour. I promise you, it is there. Fight tooth and nail to find time, to make it. It is our true wealth, this moment, this hour, this day.”
This quote is from an essay in the current issue of Sunset Magazine called “Time Lost and Found”. I love Lamott’s writing, and have read and re-read her book “Bird by Bird”, her book about writing. I think that virtually everything she says there can be applied to any creative endeavor, and her writing is so honest and real- it makes me laugh and come away with new insight every time. This essay made me stop and think about what I can give up in order to paint more.
February 5 – 28, 2010
Opening reception: February 5, 5:30 – 9:00 p.m.
Felix Kulpa Gallery, 107 Elm Street, Santa Cruz, CA
Gallery hours: Thurs. – Sun. 12-5, or by appointment (tel: 408.373.2854)
I’ll be hanging this show this weekend, and I’m really looking forward to seeing my paintings alongside Norman Locks’ photographs. If you are in the area, I’d love to see you at the opening!
The other day I was working in my studio, and this was the scene… and I thought, “How strange this looks!” So I ran to get my camera to share it with you all. I’m so fascinated by other artist’s processes, and the unusual ways that we problem solve when we are trying to get an idea out of our heads and onto the image. Encaustic is such a “new” medium in it’s current usage, and as I meet more and more artists using wax in their work, I am struck with how we are inventing it as we go.
I also thought this was funny because I’m often told that my work is delicate or ethereal, and yet the process is so… scrappy. I knew here that I wanted a large, white circle on the painting, but I didn’t know what to use to guide the circle. none of my usual objects were large enough. And then the garbage lid called to me from across the studio… “Me! Me! Use me!”
So I did.
This should be a great show of encaustic work in Santa Rosa. I can’t wait to see it myself… and I’m so pleased to be included in this show! The show was curated by Thomas Morphis, and includes an impressive list of artists:
Oh, and me. I’ll have three of my larger “Winter” paintings hanging.
(I couldn’t find a link for Eleanor Wood for this list- if anyone knows, please send it to me…)
A few days ago we had a low, low tide- the kind of low tide that only comes once in a blue moon (literally, this time…), and so we all bundled up and headed for Maverick’s beach by the harbor. The sky was dark, the clouds low and threatening. It was windy. But I was so glad we went out.
There is so much beauty in these gray and blustery days, and this particular day, we had the pleasure of seeing what is usually hidden by the sea. We walked on rocks usually submerged. We could see the kelp anchored to the rocks, starfish clinging, and crabs backed into the deep cracks, staring out at us, as if we had crashed their party, and they were utterly annoyed. The beach becomes unfamiliar, foreign, and all the more beautiful for it.
It occurred to me that this is often the work of the artist- hunting the unseen; making it seen. Finding unnoticed beauty, and bringing it to the light. And sometimes a low tide is just what we need…
Here’s to 2010, a new year, and a new decade. May it bring you all light, love, and prosperity!