We have a chilly, rainy day here in Half Moon Bay, and I just went out and turned on the heater in my studio. I’m nursing a cold (*sniff*), but am still hoping to get a little work done. I’m working on a larger encaustic piece right now, another in the white series. This one is the other half of that hollow core door that I sawed into pieces a while back.
When I’m working on larger pieces, I find it helpful to break down work sessions into smaller chunks. An hour, or two. Just getting a single layer on there, and fusing it can take over half an hour. Whew!
In the background above, you can see some home made encaustic color charts… My next technique post will be about color, and I’ll go over the how and why of making those charts (plus, it’ll get me to finish my own set! )
And here are three acrylic paintings waiting for some embroidery thread… I am especially happy with the grey one. This is a terribly wonky photo- my camera shoots wide angle whether I want it to or not- and the texture just didn’t show up, but I almost always like what happens when I restrict my pallet. I’m funny about color. I’ll tiptoe my way out on some colorful limb, and then always come back to my neutrals. I hadn’t done a nest yet with such somber colors, and I like the way it turned out.
For those of you who are looking for information on encaustic technique, check out Malissa Martin Wilkes’ blog. She’s got some great information and photos, some studio shots, etc. Her set up is a little different from mine, and it’s good to see how different people work.